NINJA GAIDEN SIGMA 2 PC MOVIE
NINJA GAIDEN SIGMA 2 PC PC

The most difficult time for me is when a good sound or arrangement doesnвЂ™t find its way to me.ДЇor a sound engineer I canвЂ™t say IвЂ™ve been a devoted music fan, which some people may find odd. ItвЂ™s always challenging but we are enjoying it. Once we finish composing we encode them to data and implement to the game.

NINJA GAIDEN SIGMA 2 PC PC

When it comes to the actual music composition, we begin with our PC connected to synthesizer, sampler, effecter etc, but before we start composing, we spend great amounts of time hearing rough outlines of characters, stages from Hayashi-san, playing the game and looking into designs, etcвЂ¦. I created that sound from a pigвЂ™s oink! Look out for it! IвЂ™ll let you into a secret but thereвЂ™s a bit in NINJA GAINDEN SIGMA 2 when a character appears out of the shadows. I create and complete the sound for them based on imagination by learning by mistake. If a character is a Dragon for example, I imagine like their voice may originate from a large feline sound sample. For inventive monsters and characters what we can do is to imagine their voice and sound. Once they have their own sound, they become vivid. ItвЂ™s really tough to invent unique sounds for our characters, but itвЂ™s really fun. Even converting sounds on a computer actually creates sound! I have millions of sources but IвЂ™m always looking for good quality sounds. The cool thing is, inspiration comes from anywhere. All of these sounds are actually artificial, we donвЂ™t go out and record the wind, but the result we get from manufacturing sounds make us feel really cool! I always work over and over on our sounds by editing, equalizing and adding more effects and then eventually I end up with a sound good enough for our games. Think about in reality вЂ“ if a Samurai brings down his sword lightly and slowly, nobody hears it, however a game needs to implement sounds you wouldnвЂ™t even consider вЂ“ from the feeling of the breeze, through to almost imperceptible metallic clanks. When it comes to creating sounds for weapons, IвЂ™ve actually studied real weapons but never touched or used them for any other reasons, promise! IвЂ™ve always pay attention to give our fans the best sound they deserve sound. Its an expressive, powerful sound by itself, so we have to be careful that the sound designer and sound programmer team up with very well and work together to ensure it compliments and integrates with the other sounds on screen. For example, in Ninja Gaiden Sigma2 there is complicated sound program when Ryu attacks to enemies. I think sound games is very important since it needs to give users exhilaration when they press the button with the sound of slashing, hitting, breaking something, jumping, flying and etcвЂ¦ Of course the sound itself is important, but more importantly you need a good sound programmer in the first place to make it happen.

NINJA GAIDEN SIGMA 2 PC MOVIE

Game sound is completely different from movie sound. Just look at shows like Gamescom, E3 and TGS вЂ“ whole presentations are made there now that focus solely on sound and music. Sound teams donвЂ™t have any restrictions like we used to. Hello, IвЂ™m Makoto Hosoi, the Audio Lead for Ninja Gaiden Sigma 2 and thank you for taking time to read my blog entry about the sound in games вЂ“ an area I always see as overlooked and under-appreciated! Historically, I think sound had always come second after graphics or visual effects but time is changing and nowadays sound has significantly evolved.

Ninja gaiden sigma 2 pc